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Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Saturday, January 5, 2008

Review: `Walk Hard' Hilariously Familiar


The Dewey Cox Story
Walk Hard: The Dewey Cox Story


Judd Apatow can do no wrong, apparently.

Even in taking on a genre parody, an endeavor that would seem painfully hackneyed by now following "Scary Movie," "Epic Movie" and the like, the comic mastermind behind "Knocked Up" and "Superbad" manages to find fresh laughs again and again.

"Walk Hard: The Dewey Cox Story," a take-off on the music biopic, hits all the familiar conventions we've seen in overly earnest movies like "Ray," "Walk the Line" and even "La Vie en Rose," with its ballyhooed portrayal of Edith Piaf by Marion Cotillard. (This time, longtime Apatow friend and collaborator Jake Kasdan directs, and the two co-wrote the script.)

The marginally talented country rocker Dewey Cox (John C. Reilly) comes from humble, Southern beginnings and experiences tragedy early his brother's death, which haunts him long into adulthood. He marries his childhood sweetheart and eventually fulfills his dreams of music stardom through sheer heart and grit, even though the ones closest to him never quite believed in him.

Read the entire article at: www.cinema-pedia.com

Review: `August Rush'


August Rush
August Rush


There are precious movies and then there are movies about 11-year-old orphans following "the music."

In this respect, "August Rush" is on another level. We need to break out a whole new definition of cheesiness for a film like this, augmented by fake tears and vomit gestures.

"August Rush" begins with a boy (Freddie Highmore) standing in an open field where the surrounding sounds the wind, the trees, the grass swirl like a symphony in his head. In a whispering voice-over, he says: "I believe in music the way that some people believe in fairy tales."

"August Rush" thus proceeds in fairy-tale fashion, though it's more unrealistic than surrealistic. Without any tangible evidence, our protagonist senses his parents are still alive and that he just needs to make music loud enough so they can hear him (sort of like the ethos behind a Coldplay album).

Read the entire article at: www.cinema-pedia.com

Friday, October 12, 2007

Jill Scott Reborn After Divorce, Films

 While some artists choose to keep their private life cloaked in mystery, Jill Scott's music was so rich with details about her most intimate thoughts, even a casual listener could tell that she was madly in love with her man.

From "He Loves Me (Lyzell in E Flat)" to "Bedda at Home," much of Scott's first two albums detailed her relationship with her husband and manager, Lyzell Williams. The songs were passionate, sensual, emotional, and spoke of a love, while not perfect, so enduring that it seemed almost too good to be true.

As it turns out, it was Scott's soundtrack was a lot rosier than real life.

"Sometimes I think I try to hold on to the positive aspect so hard, I'm not really looking at the reality of life as well, or the opposite," says Scott as she reflects on her recent divorce.

"The second album, when I listen to it now, it seems like I was really making a lot of affirmations, and I know personally I was going through a struggle with my marriage," she adds. "I could hear myself apologizing for things that I had done in the past because I wanted to be OK now."

Scott, 35, still has her struggles, but she sees them much more clearly on her latest album, appropriately titled "The Real Thing: Words and Sounds, Volume 3."

"I've stepped more into my original me than I have been in a long time just coming from underwater," says Scott. "I didn't even know I wasn't breathing, but I'm breathing again." And flourishing. This Friday, she appears in a scene-stealing role as a downtrodden wife in Tyler Perry's movie "Why Did I Get Married," and she just finished wrapping "The No. 1 Ladies Detective Agency" with Oscar-winning director Anthony Minghella, who cast her in the starring role.

"I went from an ensemble cast to a leading lady in a matter of months," says Scott with wonderment and joy.

It's been a whirlwind year for Scott, who finalized her divorce just as she started recording her album, finished the Perry flick and filmed the Minghella movie in the southern African nation of Botswana. She proudly tells of how she mastered the nation's accent so well that locals would try and speak to her in their native language. She also fell in love with the region, and vows to move to the continent soon.

"If all goes well, I would love to spend six months out of my year in Africa," she says. "I want to create music there, I want to grow a garden. I miss the sky."

But Scott, a trained actress who has appeared in plays, sitcoms and independent films, almost passed on the opportunity entirely. She initially begged off requests to audition, exhausted from filming the Perry movie, dealing with her divorce and her mother's cancer diagnosis (she has since been declared cancer free).

After she got the role and started filming, "I was terrified, and I quit maybe once a week, and I had a nervous breakdown maybe once a week internal, my own private breakdown."

But whatever emotional changes she was going through, it was nothing compared to the upheaval of her marriage. She and Williams had been together for 13 years. Not only was he her musical muse, he was intricately involved with her career.

Steve McKeever, who signed Scott to his Hidden Beach label years ago and is the executive producer on her latest album, says she celebrated the relationship so much "she was almost evangelistic about it, even in concert. For something that was so imporant to her to fall apart to not stay together has got to be one of the most traumatic chapters in anybody's life."

Scott believes including Williams so much in her career on the business side led the marriage to collapse.

"Working together was a mistake, because I have to live separate lives. My life on the road is one thing. I'm very focused, I'm very dedicated, I do what I came to do with all my heart. but when I come home, I want to do what I came to do with all my heart. I wanna cook, I want to be loved, I want to give love," she says. "Once we stopped working together, there was nothing else to talk about, there was nothing else to do, and that's very lonely."

Scott tapped into some of that pain during her portrayal of an overweight, emotionally abused wife in "Why Did I Get Married." Perry recalls one scene which required Scott's character to break down.

"A lot of that is ad-libbed ... that was her stuff coming out," Perry says. "She brought everything that she had experienced in life to that role."

Though Scott recently called the end of her marriage one of her greatest regrets, she holds no bitterness against her ex-husband: "He's a good person, he's very kindhearted in a lot of ways, and he should never be vilified by anyone because they didn't live in our house," she says firmly.

She has no regrets about sharing their love with listeners. She still loves those songs, and sings them in concert. And when she finds someone to share her life with once again, she expects to express that in song as well.

"That's what I do. I share the light and the dark and everything in between," she says. "It all shows up."

Source: www.cinema-pedia.com

Janet Jackson Returns to Film, Music

Call her a Janet of all trades.

Janet Jackson (Miss Jackson if you're nasty) is part of the ensemble cast of Tyler Perry's new film, "Why Did I Get Married." She has returned to the studio to record a follow-up to last year's "20 Y.O," due early next year, plus she's writing a book about her struggle with her weight.

In her first film in seven years, Jackson plays Patricia, a psychologist who's great at helping others but has trouble taking her own advice. She stars alongside Perry, Jill Scott, Malik Yoba and Sharon Leal.

Speaking by phone from New York, where Jackson was promoting the film, the 41-year-old star spoke with The Associated Press about movies, music and marriage but remained mum on her enigmatic brother Michael.

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AP: What drew you to this role?

Jackson: Tyler and I wanted to work together. ... When I read the script, I fell in love with not only the character, who I felt like I could relate to a little bit, but also that it was an ensemble piece. That's what I had been looking for for a while.

AP: Do you find acing and music related?

Jackson: When I write, I write about my life experiences and that's truthful, it's putting the truth within it and try to go into recording and singing it from my soul and giving it all of my truth. I think you do the same thing with acting. ... You try to bring truth to the character that you're playing, truth to each and every scene that you do.

AP: Is one art more fulfilling than the other?

Jackson: Acting, at this point, might be a little bit more satisfying. It's always been my first passion though, my first love. Singing comes easier. Acting is more of a challenge for me.

AP: Talk about the book.

Jackson: I'm in the midst of writing (about) my journeys of weight loss and weight gain and weight loss. ... It's just really coming from my life, what was going on in my life, from my soul. So many people have asked me about it and how did I do it. Everybody has a story to tell so this is my little story about that portion of my life. AP: Is it painful to write about something so personal?

Jackson: I get lumps in my throat at times. ... Just to go back to that place and be able to write about it, it does get a little painful at times. But at the same time, it can be very cathartic and inspiring for myself still. Just to think back and to listen to how far I've come in my little struggle.

AP: What's your new album like?

Jackson: It's still me. I'm still doing myself, really. The reason why I'm saying this is because as of right now, I'm not working with (longtime collaborators) Jimmy (Jam) and Terry (Lewis). And if we're really going to work together on this album, I don't know. I'm not quite sure. ... Hopefully we can and we'll get together and be able to do at least a couple of things together.

AP: You released "20 Y.O." around your 40th birthday. How do you feel about getting older, especially in a business that so values youth?

Jackson: In my family, age has always been just a number. We don't trip on it. ... But I think I can say and not boasting, but with a great deal of pride that I don't think I look my age. ... It's a matter of how you feel inside. It's just a number. And I think that plays a great deal in your attitude and how you carry yourself on the outside. ... Maybe this is what 40 is supposed to be like. Maybe I'd feel a little different if I had kids but that's in the future hopefully, so I might be changing my tune.

AP: Is marriage in your future?

Jackson: I don't know. I've done it twice and divorced twice. For myself, I don't need a piece of paper that I really think is to keep tabs on you really to validate what it is that we have. I think what's most important is having a spiritual connection and to find your soul mate, and I do believe we have more than one, and to exchange a vow between one another. And that's all that I need and I'm good.

AP: What's going on with Michael?

Jackson: I don't speak about my brother any more. So that's my way of saying I'm not going to answer your question.

Source: www.cinema-pedia.com